Alicia Adamerovich’s works are representations of introspective journeys, couching emotion in the landscape of the subconscious. Often grounded in a sense of isolation, her paintings, drawings, and sculptural frames exist in a world that is at once achingly familiar and wholly alien. It is in this dichotomy of attraction and disdain, joy and pain, and expansion and compression where Adamerovich fashions moonlit feeling into terrains of apprehension and disquiet. At the same time, Adamerovich is acutely aware of her audience and invites them to take part in the creation. As Adamerovich states: “I don’t wish for my frames to be vessels for the work, but instead to be extensions of the line… making connections with both the viewer’s body and mind. Immersing oneself is bringing the experience closer to my own experience of creation.”

Alicia Adamerovich was born in Latrobe, PA and is currently based in New York. She received her Bachelor of Design from Pennsylvania State University in 2013. Adamerovich has been a recipent of several residencies including the Hayama Artist Residency, Hayama, Japan; Del Vaz Projects Residency, Los Angeles, CA; Moly Sabata Artist Residency, Albert Gleizes Foundation, Sablons, FR; and Palazzo Monti Residency, Brescia, IT. Her work has been included in exhibtions throughout France, Italy, Germany, Mexico, and Canada. Recent and upcoming solo and group exhibitions include Ultra-gentle manipulation of delicate structures, Pangée, Montréal, QC (2022); Au Delà, Lafayette Anticipations, Paris, France (2023); This is the time of the hour at Michael Kohn Gallery, Los Angeles, CA (2023); Rude Awakening, Timothy Taylor, New York, NY (2024); and A Mysterious Vision, Robilant + Voena, Milan, IT (2025). In 2026, Adamerovich will present her first solo museum exhibtion at the San Luis Obispo Museum of Art, San Luis Obispo, CA.

CV

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